For nearly a century, members of three generations of the Bibiena family were the most highly sought theater designers in Europe. Their elaborate stage designs were used for operas, festivals, and courtly performances across Europe: from their native Italy to cites as far afi eld as Vienna, Prague, Stockholm, St. Petersburg, and Lisbon. Beyond these performances, the distinctive Bibiena style survives through their remarkable drawings. Architecture, Theater, and Fantasy marks the promised gift to the Morgan Library& Museum of a group of Bibiena drawings from the collection of Jules Fisher, the Tony Award-winning lighting designer, and commemorates an exhibition of these works, the first in the United States in over thirty years to celebrate these talented draftsmen. These drawings demonstrate the range of the Bibienas' output, from energetic sketches to highly finished watercolors. With representations of imagined palace interiors and lavish illusionistic architecture, this group of drawings highlights the visual splendor of the Baroque stage. The catalogue opens with Diane Kelder's introductory essay about the Bibiena family. Laurel Peterson then discusses the Bibienas as draftsmen, underscoring the drawings from the Fisher collection. Arnold Aronson, in turn, explores the family's contribution to the theater, setting them within a history of European stage design and explaining the significance of the dynamic angled perspective of their scena per angolo sets. John Marciari's essay considers the Fisher gift among the many Bibiena drawings already at the Morgan, mainly from the Oenslager collection, and looks at the collecting of Bibiena drawings more generally. Finally, Diane Kelder's checklist off ers information regarding the attribution and provenance of the works in the exhibition.

Clara Montague is a whip-smart and wisecracking amateur detective who relies on her wits and an unusual "gift" rather than weapons or fists. It is contemporary murder mystery crafted by a writer with a gift for prose. You can go home again, but should you?Clara Montague didn’t want to go home to Connecticut for Christmas. Her mother Constance never seemed to like her—or her intuitive dreams about the people she loved. Clara tried to warn her mother that her father was about to have a heart attack, but Constance wouldn’t listen—and her father died.Now living in Europe, Clara dreams her mother is in terrible danger, and can’t ignore it. Shortly after she returns, her mother’s therapist (and former lover) Hugh Woodward is murdered—and Constance is jailed for the crime.Frantically seeking clues to her mother’s hidden past, Clara uncovers the file of “shadow notes” that Hugh maintained to document his sessions with her mother, but they are snatched from her hands before she can read them.Can Clara’s intuition help her peel back years of high-stakes secrets to identify the real murderer?